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B. Bartok, For Children, Vol. 1, Nr.5, Play

pental

2:00	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	6	1	3	100%
		11	12	2	4	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	6	1	3	100%
		11	12	2	4	88%

B. Bartok, For Children, Vol. 1, Nr.29-Pentatonic Tune, Sz42

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1:30	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	3	1	3	77%
		18	0	0	3	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	3	1	3	77%
		18	0	0	3	89%

B. Bartok, For Children, Vol. 1, Nr.6, Study for the left hand

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0:47	Est. Play Time
57	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		5	0	0	3	91%
		9	8	1	1	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		5	0	0	3	91%
		9	8	1	1	88%

Brahms_Johannes_-_5_Lieder_Op.47_No.4_-_O_liebliche_Wangen

pental

2:00	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	24	46	5	5	96%
	28	11	8	5	97%
Singstimme Voice	11	0	1	4	99%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	24	46	5	5	96%
	28	11	8	5	97%
Singstimme Voice	11	0	1	4	99%

Franz_Robert-_Op.1_No.5_-_O_sh_ich_auf_der_Haide_dort

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1:40	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	17	4	5	3	100%
	19	2	5	4	100%
Singstimme Voice	9	0	1	6	85%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	17	4	5	3	100%
	19	2	5	4	100%
Singstimme Voice	9	0	1	6	85%

B. Bartok, For Children, Vol. 1, Nr.9 Song, SZ42

pental

1:42	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	4	100%
		14	14	5	2	70%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	4	100%
		14	14	5	2	70%

von Biber Sonata Violino Solo representativa

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2:13	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino solo		21	4	4	7	100%
Basso Continuo		12	0	1	6	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino solo		21	4	4	7	100%
Basso Continuo		12	0	1	6	97%

Franz_Robert_-_Op.1_No.6_-_Tanzlied_im_Mai

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0:43	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	12	20	1	4	98%
	15	7	0	4	98%
Singstimme Voice	11	0	2	5	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	12	20	1	4	98%
	15	7	0	4	98%
Singstimme Voice	11	0	2	5	100%

Franz_Robert_-_12_Gesnge_Op.1_No.8_-_Fr_Einen

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1:55	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	16	35	4	5	100%
	20	14	3	4	100%
Singstimme Voice	10	0	1	5	91%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	16	35	4	5	100%
	20	14	3	4	100%
Singstimme Voice	10	0	1	5	91%

A Soft Day

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2:48	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	22	4	7	96%
	21	16	3	7	92%
Voice	9	0	1	8	86%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	22	4	7	96%
	21	16	3	7	92%
Voice	9	0	1	8	86%

Holmes_Augusta_Mary_Anne_-_Vingt Mélodies_No.7_-_Noel_d_Irlande

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3:16	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	59	6	7	91%
	24	18	0	9	95%
Chant Voice	12	0	1	8	98%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	59	6	7	91%
	24	18	0	9	95%
Chant Voice	12	0	1	8	98%

Ballade 20 Je suis aussi Guillaume de Machaut

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1:46	Est. Play Time
48	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Chant	16	5	6	100%
Guitar 1	11	1	6	100%
Guitar 2	12	4	5	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Chant	16	5	6	100%
Guitar 1	11	1	6	100%
Guitar 2	12	4	5	100%

Menuet HWV 434 4

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3:48	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	7	100%
		18	0	1	4	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	7	100%
		18	0	1	4	76%

Jehan Alain Fantaisie pour chœur à bouche fermée

pental

4:03	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	10	0	5	3	100%
Soprano	12	0	4	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	10	5	3	100%
Soprano	12	4	4	100%
Tenor	7	2	5	100%
Alto	4	1	3	92%

Missa "Au travail suis" Kyrie Johannes Ockeghem

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2:32	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	2	6	92%
Superius	14	0	3	6	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	2	6	92%
Superius	14	3	6	92%
Tenor	13	1	6	90%
Bassus	13	1	5	69%

Missa "Au travail suis" Sanctus Johannes Ockeghem

pental

2:08	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	10	0	3	7	82%
Altus	11	0	1	6	78%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	10	3	7	82%
Altus	11	1	6	78%
Bassus	14	2	6	73%
Tenor	9	1	6	67%

Brahms_Johannes_-_7_Lieder_Op.48_No.6_-_Vergangen_ist_mir_Glck_und_Heil

pental

4:05	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	17	24	3	3	97%
	14	0	1	3	94%
Singstimme Voice	12	0	1	3	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	17	24	3	3	97%
	14	0	1	3	94%
Singstimme Voice	12	0	1	3	100%